The Studio
Illustration studio based in the south of France, creating bespoke illustrations for brands, objects and packaging.
The Studio
Illustration studio based in the south of France, creating bespoke illustrations for brands, objects and packaging.
Swindler & Swindler is an illustration studio based in the south of France, founded by Margot Reverdy and Rémy Boiré. From a small, light-filled workspace — affectionately called the "burose" and painted entirely pink — the studio creates bespoke illustrations for brands and maisons around the world, working across packaging, objects, special editions, and printed matter.
Swindler & Swindler is an illustration studio based in the south of France, founded by Margot Reverdy and Rémy Boiré. From a small, light-filled workspace — affectionately called the "burose" and painted entirely pink — the studio creates bespoke illustrations for brands and maisons around the world, working across packaging, objects, special editions, and printed matter.
Rather than developing a single signature style, we've chosen a more attentive approach. Each project comes with its own story, its own constraints, and its own personality, and we like to respond to that context instead of imposing a fixed aesthetic. What matters to us is not consistency of style, but consistency of care — precise lines, balanced compositions, and a sense of craftsmanship that runs through everything we do.
Rather than developing a single signature style, we've chosen a more attentive approach. Each project comes with its own story, its own constraints, and its own personality, and we like to respond to that context instead of imposing a fixed aesthetic. What matters to us is not consistency of style, but consistency of care — precise lines, balanced compositions, and a sense of craftsmanship that runs through everything we do.
Margot
Illustrator & co-founder — drawing, cultivating, crafting
Margot
Illustrator & co-founder — drawing, cultivating, crafting
Margot is an illustrator with a background in product design. Her drawings are known for their precision, delicate lines, and refined compositions, often inspired by botanical forms and the quiet details of everyday life. She works mostly on iPad, blending the sensitivity of hand drawing with the speed required by contemporary projects.
Margot is an illustrator with a background in product design. Her drawings are known for their precision, delicate lines, and refined compositions, often inspired by botanical forms and the quiet details of everyday life. She works mostly on iPad, blending the sensitivity of hand drawing with the speed required by contemporary projects.
Rémy
Co-founder — structure, flow, and making things happen
Rémy
Co-founder — structure, flow, and making things happen
Rémy co-founded Swindler & Swindler with Margot and oversees the strategic and production side of the studio. He works closely with clients and collaborators, helping shape projects from the first conversation to the final delivery.
Rémy co-founded Swindler & Swindler with Margot and oversees the strategic and production side of the studio. He works closely with clients and collaborators, helping shape projects from the first conversation to the final delivery.
our Agents
An extended part of our team.
our Agents
An extended part of our team.
Based in France and the UK, our agents have been working with us for years and share the same attentive, hands-on approach, helping the studio grow thoughtful collaborations around the world.
Based in France and the UK, our agents have been working with us for years and share the same attentive, hands-on approach, helping the studio grow thoughtful collaborations around the world.
Kajsa
@ Agent & Artists
Katie
@ Folio Art
Sally
@ Folio Art
Kumi
@ Folio Art
how we work
Close conversations, careful hands, and a shared love for well-made things.
how we work
Close conversations, careful hands, and a shared love for well-made things.
Most projects start with a conversation, followed by sketches, exchanges, and close dialogue. Being a small studio allows us to stay hands-on and responsive — thoughtful work, delivered when it's needed.
Most projects start with a conversation, followed by sketches, exchanges, and close dialogue. Being a small studio allows us to stay hands-on and responsive — thoughtful work, delivered when it's needed.
WHERE WE ARE
A quieter rhythm, a slower light, a place to focus on what matters.
WHERE WE ARE
A quieter rhythm, a slower light, a place to focus on what matters.
The studio is based in the south of France, surrounded by light, plants, and long summers. Many ideas begin outside — in the garden or during a walk — before finding their way back to the desk.
The studio is based in the south of France, surrounded by light, plants, and long summers. Many ideas begin outside — in the garden or during a walk — before finding their way back to the desk.
Swindler & Swindler is an illustration studio based in the south of France, founded by Margot Reverdy and Rémy Boiré. From a small, light-filled workspace — affectionately called the "burose" and painted entirely pink — the studio creates bespoke illustrations for brands and maisons around the world, working across packaging, objects, special editions, and printed matter.
Over the past decade, we've had the chance to collaborate with clients such as Moët & Chandon, Shiseido, Ralph Lauren, Lady M, and Grimaud, designing visuals that live beyond the screen: boxes that are kept, books that are collected, objects meant to be held, gifted, and treasured.
Our work is always made with that physical reality in mind, with a strong attention to materials, printing techniques, and the small details that give an object its presence.
Swindler & Swindler is an illustration studio based in the south of France, founded by Margot Reverdy and Rémy Boiré. From a small, light-filled workspace — affectionately called the "burose" and painted entirely pink — the studio creates bespoke illustrations for brands and maisons around the world, working across packaging, objects, special editions, and printed matter.
Over the past decade, we've had the chance to collaborate with clients such as Moët & Chandon, Shiseido, Ralph Lauren, Lady M, and Grimaud, designing visuals that live beyond the screen: boxes that are kept, books that are collected, objects meant to be held, gifted, and treasured.
Our work is always made with that physical reality in mind, with a strong attention to materials, printing techniques, and the small details that give an object its presence.
Rather than developing a single signature style, we've chosen a more attentive approach. Each project comes with its own story, its own constraints, and its own personality, and we like to respond to that context instead of imposing a fixed aesthetic. Sometimes the result is delicate and botanical, sometimes graphic or ornate, sometimes quiet and minimal. What matters to us is not consistency of style, but consistency of care — precise lines, balanced compositions, and a sense of craftsmanship that runs through everything we do. Our process is both thoughtful and agile.
Most of the illustrations are drawn digitally, which allows us to move quickly and adapt easily, something our clients often rely on when timelines are tight. We're used to working fast without compromising quality, combining a calm, focused approach with efficient execution. It's a rhythm we've refined over the years: careful work, delivered on time. Life outside the studio naturally feeds the work, too. Margot spends much of her free time gardening, planting flowers and watching things grow, and that slow, observant relationship to nature often finds its way into the drawings. In many ways, the studio works the same way — cultivating ideas patiently, giving them the right conditions, and shaping them with care.
Swindler & Swindler remains intentionally small and hands-on. We like direct conversations, close collaborations, and simple, human exchanges. If you have a project in mind, we'd be happy to hear your story and build something beautiful together.
Rather than developing a single signature style, we've chosen a more attentive approach. Each project comes with its own story, its own constraints, and its own personality, and we like to respond to that context instead of imposing a fixed aesthetic. Sometimes the result is delicate and botanical, sometimes graphic or ornate, sometimes quiet and minimal. What matters to us is not consistency of style, but consistency of care — precise lines, balanced compositions, and a sense of craftsmanship that runs through everything we do. Our process is both thoughtful and agile.
Most of the illustrations are drawn digitally, which allows us to move quickly and adapt easily, something our clients often rely on when timelines are tight. We're used to working fast without compromising quality, combining a calm, focused approach with efficient execution. It's a rhythm we've refined over the years: careful work, delivered on time. Life outside the studio naturally feeds the work, too. Margot spends much of her free time gardening, planting flowers and watching things grow, and that slow, observant relationship to nature often finds its way into the drawings. In many ways, the studio works the same way — cultivating ideas patiently, giving them the right conditions, and shaping them with care.
Swindler & Swindler remains intentionally small and hands-on. We like direct conversations, close collaborations, and simple, human exchanges. If you have a project in mind, we'd be happy to hear your story and build something beautiful together.
Margot
drawing, cultivating, crafting
Margot
drawing, cultivating, crafting
Margot is an illustrator with a background in product design, which strongly influences the way she approaches her work. She thinks about images as part of an object, not just as visuals — how they will be printed, handled, textured, and experienced in real life. Her drawings are known for their precision, delicate lines, and refined compositions, often inspired by botanical forms and the quiet details of everyday life. Curious and deeply hands-on, she works mostly on iPad, blending the sensitivity of hand drawing with the flexibility and speed required by contemporary projects. When she's not in the studio, she's usually in her garden or spending time with her two cats, Yuzu and Peepa.
Margot is an illustrator with a background in product design, which strongly influences the way she approaches her work. She thinks about images as part of an object, not just as visuals — how they will be printed, handled, textured, and experienced in real life. Her drawings are known for their precision, delicate lines, and refined compositions, often inspired by botanical forms and the quiet details of everyday life. Curious and deeply hands-on, she works mostly on iPad, blending the sensitivity of hand drawing with the flexibility and speed required by contemporary projects. When she's not in the studio, she's usually in her garden or spending time with her two cats, Yuzu and Peepa.
Rémy
structure, flow, and making things happen
Rémy
structure, flow, and making things happen
Rémy co-founded Swindler & Swindler with Margot and oversees the strategic and production side of the studio. He works closely with clients, agents, and collaborators, helping shape projects from the first conversation to the final delivery. With a strong sense of structure and problem-solving, he ensures that creative ideas translate smoothly into real-world outcomes, balancing ambition with practicality. His role allows the studio to stay focused, agile, and reliable, creating the conditions for thoughtful work and long-term collaborations.
Rémy co-founded Swindler & Swindler with Margot and oversees the strategic and production side of the studio. He works closely with clients, agents, and collaborators, helping shape projects from the first conversation to the final delivery. With a strong sense of structure and problem-solving, he ensures that creative ideas translate smoothly into real-world outcomes, balancing ambition with practicality. His role allows the studio to stay focused, agile, and reliable, creating the conditions for thoughtful work and long-term collaborations.
our Agents
An extended part of our team.
our Agents
An extended part of our team.
Based in France and the UK, our agents have been working with us for years and share the same attentive, hands-on approach, helping the studio grow thoughtful collaborations around the world.
Based in France and the UK, our agents have been working with us for years and share the same attentive, hands-on approach, helping the studio grow thoughtful collaborations around the world.
Kajsa
@ Agent & Artists
Katie
@ Folio Art
Sally
@ Folio Art
Kumi
@ Folio Art
how we work
Close conversations, careful hands, and a shared love for well-made things.
how we work
Close conversations, careful hands, and a shared love for well-made things.
We like to keep things simple and collaborative. Most projects start with a conversation, followed by sketches, exchanges, refinements, and close dialogue with the creative teams. Being a small studio allows us to stay hands-on and responsive, adapting quickly when timelines are tight while maintaining a high level of detail and finish. Calm minds, quick hands — thoughtful work, delivered when it's needed.
We like to keep things simple and collaborative. Most projects start with a conversation, followed by sketches, exchanges, refinements, and close dialogue with the creative teams. Being a small studio allows us to stay hands-on and responsive, adapting quickly when timelines are tight while maintaining a high level of detail and finish. Calm minds, quick hands — thoughtful work, delivered when it's needed.
WHERE WE ARE
A quieter rhythm, a slower light, a place to focus on what matters.
WHERE WE ARE
A quieter rhythm, a slower light, a place to focus on what matters.
The studio is based in the south of France, surrounded by light, plants, and long summers. This slower, quieter environment shapes the way we work and look at things. Many ideas begin outside, in the garden or during a walk, before finding their way back to the desk. That connection to nature and everyday life subtly feeds the imagery we create.
The studio is based in the south of France, surrounded by light, plants, and long summers. This slower, quieter environment shapes the way we work and look at things. Many ideas begin outside, in the garden or during a walk, before finding their way back to the desk. That connection to nature and everyday life subtly feeds the imagery we create.